Melissa Sevigny will be appearing at the Southwest Festival of the Written Word on Sunday, October 1, 2017, 11:30am to discuss her book Mythical River: Chasing the Mirage of New Water in the American Southwest. In a lyrical mix of natural science, history, and memoir, Melissa L. Sevigny ponders what it means to make a home in the American Southwest at a time when its most essential resource, water, is overexploited and undervalued. She explores a landscape literally remapped by the search for “new” water, where rivers flow uphill, dams and deep wells reshape geography, trees become intolerable competitors for water, and new technologies tap into clouds and oceans. Sevigny shows how recognizing the rights of rivers is a path toward water security.
The following is a review by Sonnie Sussillo of Mythical River: Chasing the Mirage of New Water in the American Southwest, posted with her permission.
In Mythical River: Chasing the Mirage of New Water in the American Southwest author Melissa L. Sevigny has written a scientific survey couched in a memoir wrapped in a parable ending with an ethical challenge.
The el Rio de San Buenaventura is the mythical river of the title. Its history is the parable that Sevigny uses to share her personal history and memories as well as the scientific realities and ethical dilemma of water in the arid Southwest.
The Buenaventura River was imagined by the Spaniards who set out from Santa Fe in 1776, hoping to find an easy route to California. The Spaniards discovered an ephemeral river pouring out of the mountains and assumed that this river would lead them west. They couldn’t imagine the mountain ranges and crippling desert, not yet seen. Through the following decades of the beaver trade, the gold rush, and homesteading, the myth of the Buenaventura persisted in stories, on maps and in national politics.
The author uses the parable of the Buenaventura River throughout her book to illustrate the West’s expectations, romance and illusions about water. Her primary focus is the Colorado River, the huge basin that it drains and the demands on the water that the Colorado has – or in reality, doesn’t have.
Beginning with her childhood at her grandparents’ home on the western outskirts of Tucson, with stories continuing through her youth and into her professional life, Ms. Sevigny shares her love of all things water. From tales of waiting for the arroyos to flush after a monsoonal storm so she could go looking for tadpoles to getting lost in the weeds and brush along a river that no longer bent the way it used to, she says, at one point, “Call it grace: that I could spend a day here, filling my heart with wildness.”
Ms. Sevigny surveys the scientific history and events of the Colorado River and its basin. For example, she reviews the history of the Central Arizona Project and describes what’s required to provide water to the desert cities of Phoenix and Tucson.
“Every acre-foot…consumed 3,140 kilowatt-hours of coal-fired electricity to get to Tucson, twice the energy consumed to deliver CAP water to Phoenix and four times the energy consumed to pump groundwater.”
She discusses the dams that hold back the Colorado into reservoirs, and the impact the lack of natural flow of the river has on the bio-communities downstream. She contrasts the dropping water levels of the river and the reservoirs with the increasing demand for and conflict around the water provided. California vs Arizona? Cities vs agriculture? What are the answers to an ever increasing demand on a diminishing supply?
The myth extends to efforts to make “new” water in the Colorado River basin. Local, state and national government efforts to create additional water are the mirage of the title: everything from pulling vegetation in riparian systems, perceived as “stealing” the water, to expensive yet ineffective desalination plants, to seeding clouds in the hope of causing more rain or snow to fall. She makes the case over and over that there is no “new” water to be made; rather, the only answer lies in conservation.
To escape the stranglehold that the myth, represented by the parable of the Buenaventura, holds on us, Ms. Sevigny challenges the ethics of water use in the Southwest. Over and over, she comes back to the theme: “A great challenge lies ahead: to learn how to limit ourselves, for no other reason than the sweet inclination of the human species to keep company with other living things.” She prophesizes that “Left unchecked, the Southwest’s water woes will enforce human emigration one day…People have lived in the Southwest for a long time, but that history includes the collapse and dissemination of entire complex civilizations. Our modern society isn’t exempt, for all its technological advancement.” She says that, “Managing for the health of entire ecosystems means stripping away the stereotypes and labels humans have crafted and seeing what’s really there.”
Despite or because of the myth, mirage and miracle of water here in the Southwest, we have an ongoing love affair with the stuff. My own experience in my little high-desert town echoes Ms. Sevigny’s: “It’s an old joke…that you can tell the locals apart from the tourists by watching who goes outside when it rains.”
Melissa L. Sevigny grew up in Tucson, Arizona where she fell in love with the Sonoran Desert’s ecology, geology and dark desert skies. Her lyrical nonfiction and poetry explores the intersections of science, politics, and history, with a focus on the American Southwest. She is the author of two nonfiction books: Under Desert Skies, published by the University of Arizona Press, and Mythical River, published by University of Iowa Press and named a “Nature Book of Uncommon Merit” by the John Burroughs Association. She is currently the science reporter for Arizona Public Radio in Flagstaff, Arizona.
Tim Z. Hernandez will be appearing at the Southwest Festival of the Written Word at 3 p.m. at Old Elk’s Lodge in downtown Silver City on Saturday September 30, 2017. He will discuss his research and his book All They Will Call You, which focuses on the subject of a famous 1948 plane crash, in which the U.S. government was deporting 28 Mexican nationals. Hernandez’s book and research has uncovered who those people were.
The following is JJ Wilson’s review of All They Will Call You, reposted here with his permission.
In 1948 there was a plane crash in Los Gatos Canyon, California. In the plane were 28 undocumented Mexican workers who were being deported, and four Whites – the pilot, co-pilot, stewardess, and immigration agent. Nobody survived. The papers carried the names of the four Whites, but the Mexicans at first went nameless. The Whites were given a funeral service and burial. The Mexicans were interred in an unmarked mass grave and none of their families were notified of the service, let alone invited to attend.
Eventually, the Mexicans were identified, but the authorities confused their names so badly that the tall, stoic Guadalupe Ramírez Lara – a man – became Guadalupe Laura Ramírez, a woman. Tomás Gracia de Avina became Tomása. Tragedy turned into farce.
The whole episode prompted Woody Guthrie to write a poem that became a famous protest song, and the line “Who are these friends all scattered like dry leaves?” echoes like a chorus throughout the book.
Tim Z. Hernandez, a multi-award-winning poet and novelist, has brought the story back to life nearly seventy years on. He tracked down the victims’ relatives, old friends and lovers and asked them about those who had died in the crash. He traversed the U.S. and crossed into Mexico and the Navajo Nation to interview these ancient rememberers, knocked on doors, made phone calls, learned their stories.
He spoke to Casimira, an old lady in a wheelchair (her name means “almost sees”). He spoke to Dottie, who remembered Frank, the pilot of the fated plane. He found eyewitness accounts and delved into the archives to dig up historical records. He even visited a 94-year-old Pete Seeger, who’d made the song “Plane Wreck at Los Gatos (Deportee)” famous, and played him the earliest recording of it on his MP3 player.
What Hernandez has done with all of this material is astonishing. Rather than presenting only the facts, he has re-imagined them with a novelist’s eye for detail.
On the fateful day, we see Bobbie the stewardess adjusting the strap on her red high heels. We watch as Maria and Lupe snuggle up on the cramped plane. José Valdivia pulls a baseball cap down over his eyes. Chaffin, the surly immigration officer, snaps, “son of a bitch” when the plane lurches. Bar the names, all of this is fiction, made-up stuff. But fiction can sometimes tell the truth better than facts, and the best fiction always does this.
The chapters are short. Some are in the style of a diary, with dates and times, while others are vivid vignettes, re-imaginings of old scenes. Yet others are straight non-fiction narrative describing the interviews.
Towards the end, we find ourselves hurtling, with the plane, to the inevitable, and suddenly Hernandez’s writing bursts into life with a terrible, focused energy. “Luís gripped the armrests, but the plane bucked again.” “The wing sailed down like a shimmering leaf.” Tomás “somersaults across the morning sky.” “Liquefied metal hissed on a nearby digger pine, and the tree went up in flames.”
Then, finally, the names of the dead flutter down the page like men and women tossed from the heavens.
This section is a tour de force. Its grim, visceral poetry makes real the unimaginable. Above all, it is earthy. Men of the soil come to clean up the remains of other men of the soil and find nothing but charred body parts and detritus strewn across the valley.
Later, as the victims descend to their final resting places in the earth they toiled upon, a great pathos sweeps over the narrative. It is an unbearably sad story, yet the sheer act of rescuing it has also rescued the men and women from the long void, the nothingness that accompanied their deaths. How apt that Hernandez uses Studs Terkel’s “In their rememberings are their truths”as his epigraph.
This is a wonderful piece of work, a book that honors the dead and the living, and reminds us of the fragility of life and the durability of memory.
Tim Z. Hernandez is a writer and performance artist. He is the recipient of an American Book Award for poetry, the Colorado Book Award for poetry, and the International Latino Book Award for historical fiction. His books and research have been featured in the Los Angeles Times, the New York Times, the San Francisco Chronicle, Public Radio International, and National Public Radio. Named one of sixteen New American Poets by the Poetry Society of America, he was a finalist for the inaugural Split This Rock Freedom Plow Award for his work on locating the victims of the 1948 plane wreck at Los Gatos Canyon, the incident made famous by Woody Guthrie’s song of the same name. The result of this work is the basis for his newly released book, All They Will Call You (Univesrity of Arizona Press). Hernandez holds a B.A. from Naropa University and an M.F.A. from Bennington College. He is currently an Assistant Professor at the University of Texas El Paso’s Bilingual M.F.A. Program in Creative Writing.
Everyone is invited to attend a four-way poetry reading at the Tranquilbuzz Coffeehouse on Saturday, June 17, starting at 2:00 p.m. The event will feature former poets laureate Bonnie Buckley Maldonado and Elise Stuart, and current poets laureate Beate Sigriddaughter and Jack Crocker.
* * * * *
In Canto 30 of Paradise, Dante
sings of the laughter of grass.
I am almost there now. Running
on Angel Loop, I rub shoulders
with tall mountain marigold
and goldeneye, a festival
of yellow, some blue
trumpet shapes, some red.
My favorite bald rock stretches
steep into the yellow. Yesterday
I tickled grass. I wanted to
hear laughter, but it was just
crickets rubbing legs in the wind.
I will likely never understand
why we need darkness when
we yearn and strive for light. I get
the concept of duality. Only my heart
is obstinate and wishes to believe
pure light is possible. Meanwhile
a lizard dives face first under
a ledge as I ponder scorpions
and roses. I wish the lizards trusted me.
To them I am one of the shadows
of darkness. Still I want to belong
to light, to laughter, to lizards
believing in love. Today
grass tickled me. There are asters too
now, yellow centers full of summer
scent and whispering goodbye.
* * * * *
“Angel Loop – September” was first published in Desert Exposure as a 2014 Writing Contest winning poem.
The house has stood empty fifteen years.
I’ve returned each summer for the peace I feel
Watching it lean against the absence
Of those who brought it to life.
I walk around it silently and think
I hear the sigh of nails ungrip, letting
The weary rafters and studs pull away
To gravity and the whims of wind.
The circumference of fence is a faint hint.
A few snaggled posts remain,
Useless fangs weathered and veined
Like the final years of my father’s skin.
It has held its ground as the tractors cut
The rows as close as they can get
To the front steps and side porch
That looks out yet on the seasons’ swing.
I could rent it out, just as I do the land,
But I prefer its future unlived, no thoughtless
Breaths fouling the space or strange feet
Disturbing the floors my grandfather laid.
I let it stand, crypt and museum,
Until the fire came. I took four charred
Bricks, a single disc blade, a faceplate,
And a scorched Old Grandad whiskey flask—
A leftover sin the flames unhid.
Now it’s an unmarked grave, all remnants
Bulldozed beneath the ground to free up
Another acre or so for cotton land.
Today I stand like a headstone where
The front steps were, feeling the memorial
Peace of vacant air, purified by fire,
The only movement my mind, ticking,
The way a watch holds time.
Elise Stuart’s debut collection shimmers in the rain, gets snagged on the cholla, frees itself in the night winds, and goes rolling down a flooded arroyo. This terrific collection couldn’t have been written anywhere but New Mexico, Stuart’s spiritual home. Her familial roots lie elsewhere, but her narrative voice and sensibility reside firmly in the land of deserts and cactus, coyote and bear.
These poems are distant relatives of the work of the Romantics: Wordsworth and Coleridge, Byron and Keats, but with a modern edge. Stuart isn’t entirely pastoral; there are echoes of Sexton and Plath in the hints of psychic disturbance under the surface: “Lightning splits me open” (Lightning); “the same miracle/that splits open the seed’s heart/splits open mine.” (Everything Begins in the Dark); “letting stars fill up/all the empty places in me.” (Reading the Stars).
While mountains, clouds, rocks, rivers and rain punctuate the work – metaphors for life’s mysteries – these poems are as much about the longings of the human heart as they are about the landscape of Stuart’s Eden. At one point I was reminded of the great confessional poet Elizabeth Bishop’s line: “Nobody’s heart is really good for much until it has been smashed to little bits.”
If much of the work, then, draws on the relationships between inner (mental) and outer (physical) landscapes, Stuart keeps us on our toes with small wonders and big surprises. My Dog Begins to Look Like a Wolf is about a domesticated animal subconsciously regaining its wild ancestral past. Attempted Relationship is about wanting to love and being unable to, and finding a way to let go: “You can’t hate an apple/for being an orange.”
Stuart’s grasp of rhythm and sound pattern is as fine as silk thread. The poems use short lines to build images one upon the other, crescendoing like waves breaking on a shore. And like all poets at the top of their game, she excels at endings, providing resonance through an unexpected image or verb.
Another Door Calls is a very fine debut indeed – a love song to New Mexico and to life in all its wild guises.
Elise Stuart moved to Silver City in 2005. Her heart opened to the desert, where trees and wildflowers grow with little rain, their only nourishment through water running underground.
In 2014, when she was chosen as Poet Laureate of Silver City and Grant County, she envisioned young people expressing themselves through poetry, so during the next three years she gave over a hundred workshops to youth. Another Door Calls, published in the spring of 2017, is her first collection of poems.
Elise Stuart will speak on Friday, September 29, 2017, 2:00-3:00pm at the Southwest Festival of the Written Word. She will read from her second book, My Mother and I, We Talk Cat, a memoir of prose and poetry that will be published in September 2017. She describes an uncertain journey with a woman who was unpredictable and troubled–her mother. The complex relationship between mother and daughter is narrated in riveting poetry and prose. In this session Elise will discuss how secrets revealed during research of her mother’s life profoundly changed her own. She will also take questions from the audience.
The 2017 Southwest Festival of the Written Word takes place on Friday- Sunday, September 29-October 1. As always, the Festival is open and free of charge to the public. This means that we must fund the Festival through grants and donations. As part of this effort, we are participating in “Give Grandly!”, our community’s annual day of giving, on Saturday, May 6.
On May 6, your Give Grandly! contributions will trigger matching funds that will help us continue our planning for the 2017 Festival. Our Give Grandly goal this year is $2,000.
There are several ways you can make your donation on May 6:
- Go to GiveGrandly.org and select Southwest Festival of the Written Word from the drop-down list for Grant County. Fill out the form and submit your donation.
- Text GRANDLY to 41444 from your cell phone.You will receive a text back that will provide the link to click on to complete your donation to the Southwest Festival of the Written Word.
- Visit our table at the Silver City Farmers’ Market on 7th Street and Bullard, from 8:30am – 2:30pm, where you can donate by credit card, check, or with cash.
From all of us who volunteer for the Southwest Festival of the Written Word: thank you!
The Selection Committee is delighted to announce that the position of third Poet Laureate of Silver City and Grant County will be shared by Beate Sigriddaughter and Jack Crocker.
This honorary position is awarded to a person who has established a presence in the world of poetry, has demonstrated a commitment to the literary art form, and who embraces the opportunity to engage in civil discourse.
Following the tenure of Elise Stuart as second Poet Laureate, the committee received several applications for the role, of which these two were outstanding. After interviewing both candidates, the committee decided unanimously to offer them the position in tandem. This unprecedented move will allow Crocker and Sigriddaughter to share the load of spreading poetry to the community.
Beate Sigriddaughter, originally from Germany, has published dozens of poems and short stories as well as novels, the most recent of which is Audrey: A Book of Love. Sigriddaughter has a website – Writing In A Woman’s Voice – which publishes novice and experienced women writers. She believes “poetry really does matter. Almost everybody I know seems to remember some poetry that has at some point provided meaningful comfort.”
Jack Crocker’s poems have appeared in a variety of journals, and his latest collection, The Last Resort, was published in 2009 by the Texas Review Press. Crocker is also a musician. He once signed a recording and songwriting contract with Fretone Records in Memphis, but decided instead to become an English professor. Currently, he is Provost and Vice President of Academic Affairs at Western New Mexico University.
The poets will serve a two-year term, beginning May 1st 2017, with an option for a third year if mutually agreed. The Poet Laureate program is run by the Southwest Festival of the Written Word.
Dr. Felipe de Ortego y Gasca will give a lecture titled “The Stamp of One Defect: The Mystery of Memory in Shakespeare’s Hamlet” on Thursday, May 4, 2017, 6:30 PM – 7:30 PM. This free event will occur at Western New Mexico University Light Hall Theater. There will be a meet and greet directly after the Lecture.
Dr. Felipe de Ortego y Gasca is Scholar in Residence (Cultural Studies, critical Theory, Public Policy) at Western New Mexico University and Distinguished Professor Emeritus of English and Cultural Studies, Texas State University System – Sul Ross.
For more than 400 years Hamlet has been one of the theater’s most successful plays. More has probably been written about Hamlet, the Prince, than about any other figure in literature, for the play is ostensibly enshrouded in a mystery of words about politics, theology, ideology, and morality in Denmark via 17th century Elizabethan England.
It is true that we cannot hope to know what Shakespeare knew or thought. But the moral truth that seems to emerge from Hamlet, Prince of Denmark (1599-1602) is that man is oftentimes no more than “a pipe for Fortune’s finger to sound what stop she please.” Hamlet is a tormented man in conflict with Fate, Society, and himself, tortured by a nagging malady, “Some vicious mole of nature,” that breaks down the “pales and fortes of his reason.”
Elizabethan men of learning and intellectual curiosity no doubt pondered the phenomena of mental disorders. Cardan’s Comforte, a book of consolation traditionally associated with Hamlet, points out that a man is nothing but his mind: if the mind is discontented, the man is disquieted though the rest of him be well. Hamlet is such a man, disquieted and melancholic, suffering from the stamp of one defect: in his case, the impediment of lost memory—today identified as Alzheimer’s.
The lecture, drawn from Dr. Ortego’s work The Stamp of One Defect: A Study of Hamlet (Texas Western, 1966)—considered by Shakespearean Professor Haldeen Braddy as the most provocative work in a century of Hamlet studies—unravels that impediment of memory from clues explicit in the text of Hamlet.
This event is sponsored by the Southwest Festival of the Written Word, Western Institute for Lifelong Learning (WILL), WNMU College of Arts and Sciences, and Office of Cultural Affairs. For more information about this event, call the Office of Cultural Affairs at 575-538-6469.
Select Bibliography on Shakespeare by Dr. Felipe de Ortego y Gasca, PhD (English)
British Renaissance Literature/Mexican American Literature
“Shakespeare and the Doctrine of Monarchy in King John,” College Language Association Journal 13, No. 4, 392-401, June 4, 1970.
- This work is featured in the Folger Library’s King John Study Pack, 2015
- Cited in “Magna Carta and Shakespeare’s The Life and Death of King John” by Helen Hargest, in Finding Shakespeare: Curating stories from Shakespeare’s Work, Life, and Times, June 16, 2015.
- Cited in e-notes.com, King John Essay—King John (Vol. 88): http://www.enotes.com/topics/king-john/critical-essays/king-john-vol-88
“The Winter’s Tale as Pastoral Tragicomic Romance,” Rendezvous: Journal of Liberal Arts, Spring 1970.
“Hamlet: The Stamp of One Defect,” Shakespeare in the Southwest: Some New Directions, Texas Western Press, 1969.
The Southwest Festival of the Written Word has lost a great and much-loved friend. Richard Mahler, or Rico as he liked to be called, was an Everyman: writer, editor, publisher, radio host, media consultant, photographer, teacher, naturalist, and literary pioneer. If you wanted something done, and done well, in the world of words, Rico was the man.
He had a particular affinity for the outdoors. He was a frequent surveyor of New Mexico flora and fauna, and was named Volunteer of the Year for 2014 by the Wildlife Land Trust of the Humane Society of the United States.
In fact, the best-known of his thirteen books is probably The Jaguar’s Shadow, an outdoor odyssey. This epic quest to encounter a jaguar in the flesh is quintessential Mahler: a wild adventure across endless deserts, steamy rainforests, malarial swamps, and border badlands, leavened with Mahler’s trademark dry wit and his philosopher’s gaze at a world gone mad.
Rico was unassuming and laconic, and one had to dig deep to understand what a driven, dedicated writer he was. His work appeared in some very fine publications: Los Angeles Times, Chicago Tribune, Miami Herald, Outside Magazine, Southwest Art, Utne, Alternative Medicine, and New Mexico Magazine, to name but a few.
Recently he founded a publishing press called Relham (read it backwards) for original new work. In this venture he served both as publisher and mentor to numerous authors. He also co-hosted Use Your Words: Writers Speak, a literary radio show broadcasting out of Silver City, his adopted home. His sonorous, measured tones gave the show gravitas without pomposity.
Richard will be much missed by the writing community as well as the community at large. Our condolences to Pamela, his fiancée.
JJ Amaworo Wilson
Elise Stuart, the Poet Laureate of Silver City, will give a special reading on Tuesday, April 18, 4:30-5:30pm at the Silver City Public Library to commemorate National Poetry Month and to celebrate the release of her first book of poetry, Another Door Calls. In the new poetry collection, the reader is invited to step into the stark beauty of the desert as Stuart explores the wilderness. As Stuart describes, “Rivers and mountains become my teachers on this journey as I come to know the terrain more intimately. The land and water become mirrors revealing themselves to me, revealing my own inner landscape in startling silence and the language of poetry.” Another Door Calls is published by Mercury HeartLink and illustrated with photographs taken by Glenn Henderson. More information can be found on Elise Stuart’s website, elisestuart.com.
The Poet Laureate program is organized by the Southwest Festival of the Written Word, and nominations are currently being accepted for the regions’ third Poet Laureate. The program strives to promote a meaningful poetic presence as part of the diverse cultural fabric of our town and region. The primary duty of the Poet Laureate is to promote poetry in the community. During her term, Elise has given poetry workshops in school classrooms throughout Grant County.
For more information about library events, see silvercitypubliclibrary.org or contact 575-538-3672 or email@example.com. The Silver City Public Library is located at 515 W. College Avenue, on the corner of College and Cooper street in Silver City.
Institutions dedicated to literacy, life-long learning, and the joy of reading hold a special place in the hearts of avid readers and writers. Some special opportunities to show your appreciation for libraries will occur in the next two weeks.
Celebrate our local public library at Love Your Library Day on Saturday, April 1, 10:00am-1:00pm at the Silver City Public Library, 515 W. College Avenue on the corner of College and Cooper Street in Silver City. Literacy Link-Leamos–the library’s close partner organization which offers free tutoring and book giveaways–organizes this special celebration every year. This year for the first time Cooper Street will be closed between College and 8th Street, and there will be live music and outdoor games. Come enjoy cookies and snacks, free books, stories and activities for kids, and door prizes (including a $50 grand prize donated by Western Bank)! There will be no fee for replacement library cards on this day. Contact Literacy Link Leamos at literacylinkleamos.org or 388-0892 for more information.
April 9-15 is National Library Week! The American Library Association leads this annual initiative to raise awareness of how libraries transform communities, and how libraries are transforming themselves to serve communities every day. The 2017 State of America’s Libraries report will be released on Monday, April 10. Tuesday, April 11 is National Library Workers Day, and April 12 will be National Bookmobile Day. Learn more about how you can show your support in person or on social media at the celebration page www.ilovelibraries.org/national-library-week. Download some of their lovely graphics for your online profile pics or social media feeds! The Silver City Public Library will be also be sharing some online and in-person ways to celebrate your library; more information coming soon at silvercitypubliclibrary.wordpress.com and facebook.com/SilverCityPublicLibrary.
This is also an opportune time to recognize challenges facing our libraries nationwide. Right now, in particular, the proposed federal budget completely eliminates Library Services and Technology Act funding administered by the Institute for Museum and Library Services. In New Mexico, this funding supports several services run by the State Library including rural bookmobiles and summer reading program materials that make it much easier for libraries statewide to offer summer programs. The LSTA/IMLS funding also allows the State Library to subscribe to online test preparation, online tutoring, research articles, reference e-books, and other media that anyone in New Mexico can access for free at elportalnm.org. These resources are not normally freely available online. Finally, the federal funding has allowed the State Library to offer traveling educational programs and mini-grants to libraries for youth science, technology, engineering, art, and math activities (Makerstate Initiative). You can learn more about how LSTA/IMLS funding affects New Mexico libraries here. You can also search for grants made to New Mexico libraries here. Currently, library supporters are focusing on contacting members of the House to ask them to sign a “Dear Appropriator” letter in support of the Library Services and Technology Act. Learn more here.
Readers and writers like us love the way that libraries bring us together and inspire us. Join us in celebrating libraries this month, and all year round!