Franky DeAngelis is an artist who lives and works in Silver City. He has a studio on the corner of Yankie & Texas where he fills large canvases with colors, shapes, lines, smudges and dribbles using unusual methods that rarely include paintbrushes. He describes his process in very visceral and cathartic terms. He often paints faces with a flat perspective, probably why multiple people have compared his work to Basquiat. He has no formal artistic training and his tag line is “Art is Anarchy.”

Where did you grow up, and what was your childhood like?

I grew up in New Rochelle, outside of New York City. As a child and up to 12^th grade I didn’t have any identity. I was bullied in high school. I started painting my face like KISS, and got made fun of because everyone liked Pink Floyd. My parents were very abusive. I came from a “bad” Italian Catholic family. Immediately upon exiting high school, I went to go be a punk rocker. That’s when I formed my own identity. 

Can you sum up your career before becoming an artist?

I tried to please my dad and became a plumber for ten years. I hated it and moved to Vermont. I have a decorative bath and hardware store called Close to Home. I have a line called Skullknobbery, designer faucets with skull handles, cabinet knobs, etc. It’s run like a social mission. I pay well, give abundant vacation. Everyone gets 4-5 weeks paid vacation. To me business is a social mission, it’s part of the fabric of society. I don’t call people employees, I think that’s demeaning. I prefer to call people crew members. I’m selling [the business] to my manager because she wants it, and I don’t want to go back to Vermont. And she’s awesome. She’s given me freedom to come out to New Mexico and paint.

How did you end up in Silver City?

I was married for 15 years and got divorced 6 years ago. I pointed to Taos on a map and decided to drive there. I fell in love with New Mexico, and had been driving here every fall for six years. Last November, I visited City of Rocks and came to Silver City. I saw an anti-abortion protest in Walmart and almost left. Then I met Jean-Robert [Befort] at A-Space [Studio and Gallery], he was painting the sidewalk. Then I fell in love with another painter, my now-partner Hilary Klein. I drove back from Vermont 2,000 miles for Valentines Day. 

Tell me about your punk rock journey. 

Me and this guy George were into KISS. All of a sudden, we saw the first Ramones album cover and were like ‘wow, that’s cool.’ Started going “downtown,” to NYC, kind of fell in with a band called the Stimulators, a band with this 14-year-old drummer. I was kind of like a groupie, I followed them all around the city. I started a fanzine called Chaos, and interviewed Minor Threat. That’s when you could see the Misfits hanging out at clubs and stuff. 

Now all my autographs have this guy with a hat, his name is Sekausky. He was a character in the fanzine, he would say political and anarchist stuff.

Who are your punk influences?

The Stimulators, of course. I got into LA hardcore, like Black Flag, Circle Jerks, the Dead Kennedys. I love the Distillers, one of my chickens is named after the singer. I just loved the rawness. 

How does punk influence your visual style?

When punk rock happened, it became so anyone could play music. Just like I believe about art. Punk is also what I paint to. I’m still addicted to 70’s, 80’s, and some 90’s punk rock.

What’s on your painting playlist right now?

A Spotify list based on “Beat Your Heart Out” by the Distillers. 

Can you look at paintings in this room and match them to music you were listening to?

 “I Love You, the Girl from Mars” is based on the song “Girl from Mars” by Ash, a Brit pop band. 

I have a painting called Richie Dagger based on a song by The Germs, one of my favorite punk bands. I’ll probably never sell it, it’s a giant 60-inch. I used too much spray-paint in a closed room, worked until four am and had to go to the emergency room. That’s how I get when I paint, it’s almost like a dream state sometimes.

What is punk rock?

What punk rock really was was raw, do-it-yourself, do-what-you-wanna-do musical energy. And then it also became political energy. It became all-encompassing. At that point it was breaking societal norms. 

Is punk rock dead?

I don’t think it is, I think it still lives on. It’s been commercialized though. The term has been coined, it’s not fresh anymore. But I think the energy still lives on.

What has been the lasting influence of punk rock on the larger culture?

If you look at what happened with grunge in the 90s, I don’t think a lot of musical and style stuff would ever have happened if it weren’t for punk. They stripped down music to nothing but speed. I think that needed to happen. Nothing against hair bands, I was into Motley Crue and everything. But they made music more polished and corporate. I think kids now are really influenced by 80s culture.

What is anarchy?

Anarchy is freedom without boundaries. It’s personal freedom. When I was a real punk rocker, I believed in no government. Now I don’t believe that is possible, I believe in a more democratic socialist government. In art, I believe in doing whatever you want. Maybe it’s not the right way to use anarchy, but it brings the punk rock back in. The only rule is just be nice.

Have you been involved with anarchism as a political movement? 

I was in the Communist Party in New York City for a while. I was a member and leader in PETA back in New York, but I was mostly involved in music. I did start an Earth First chapter in Vermont. Earth First was a radical environmental group derived from the book by Edward Abbey called The Monkey Wrench Gang. The focus was on more direct action. I used to go around at 4am and spray paint over condo development billboards that were infringing on open space. 

Do you read, and if so what?

My favorite book is The Untethered Soul by Michael Singer. It’s about unconditional happiness. Other than that, I just paint instead of reading.

We are interrupted by lightning. Not a visible crack, but an audible ping from his lightning-notification app. 

“Let’s see what’s going on,” he says. A lightning storm is 20 miles to the east.

In addition to painting, DeAngelis does lightning photography. Some of his prints are sitting in the studio, of bright jagged lines in the sky that he traveled many miles and snapped the shutter at just the right time to capture. He uses the app Lightning Pro and also follows storms in the Facebook group Grant County Weather Watchers.

“If you start following it you’ll lose your mind,” he said. “[My partner] Hillary wants to kill me. We have to go to therapy about my lightning addiction. I’ve been obsessed with lightning and thunder since I was a child. I didn’t know I would move here and start storm chasing. I’m staying here for good, I think.”

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Western New Mexico University writer in residence J.J. Amaworo Wilson reads from his books Nazare and Damnificados and answers questions from Otero Arts, Inc. members.

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Allison Waterman is a celebrated poet, short story author, and columnist with publications appearing locally and nationwide. She was a member of Silver City Slam and currently participates in Poetry Bread events. She cherishes her three sons and two brothers and finds joy in the everyday happenings of life, particularly in the mountains and hot springs of Southern New Mexico. 

Catalina Claussen’s works include YA novels, Diamonds at Dusk(2016), Diamonds at Dawn(2018), and Holding on to Hope(2020). Born in Edmonton, Alberta, Canada and now a longtime resident of the Mimbres Valley, Claussen has gained an appreciation for the slow pace of small town living. Her work has been recognized by the New Mexico-Arizona Book Awards, Wishing Shelf Awards (in the UK), and the New Apple Book Awards for Independent Publishing. Visit her on the web at www.catalinaclaussenbooks.wordpress.com.

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Born in New York City, and raised there and in London and Switzerland, Riva loves where he lives now best of all: Gila, New Mexico. As creator of over 78 hours of primetime wildlife television, he spent a ton of time in parts of Africa, helped found a film history museum in Berlin, worked for more than 30 years with the leaders in aerospace and space exploration, negotiated environmental causes with the UN, USA and USSR, and acted as literary agent for over 100 authors. He draws on these experiences in shaping the tales he writes—for pure pleasure.
www.IntlTrans.com 
www.PeterRiva.com

Interview with The Darling Axe’s “The Chopping Blog,” July 2020: https://darlingaxe.com/blogs/news/book-broker-peter-riva

Interview with the Author Stories podcast, January 2020:

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Ms. Ortiz Uribe writes about diversity and inequality for the El Paso Times and the USA Today network. She’s also a longtime contributor to National Public Radio. Born and raised on the U.S./Mexico border, Mónica straddles two countries, two cultures, and two languages both personally and professionally. Her first nationally broadcast story was about the missing and murdered women of Ciudad Juárez. She’s also written about Mexico’s judicial reform, binational drug violence, and the impact of the Trump administration’s immigration policies on the southern border.

Interview with Cat Cardenas of Texas Monthly, June 2020: https://www.texasmonthly.com/news-politics/podcast-missing-women-juarez/

Interview in the Celeste Gonzalez de Bustamante and Jeannine E. Relly Oral History Collection, 2014: https://arizona.aviaryplatform.com/collections/1285/collection_resources/35700

Interview with the Daily Zeitgeist podcast, July 2020: https://www.podchaser.com/podcasts/the-daily-zeitgeist-581349/episodes/qa-gone-preplanned-vacay-72320-70748631

Conversation at the Columbia Journalism School, with Alfredo Corchado, 2013:

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Historian, Professor of History and Humanities at Eastern New Mexico University, Ruidoso, she is the author of No Mexicans, Women or Dogs Allowed: The Rise of the Mexican American Civil Rights Movement, the University of Texas’ best-selling academic book between 2010 and 2020; Agent of Change: Adela Sloss-Vento, Mexican American Civil Rights Activist and Texas Feminist, which won the Liz Carpenter Award for Best Book in Texas women’s history 2020 from the Texas State Historical Association; and Pioneer of Mexican American Civil Rights: Alonso S. Perales just published by Arte Publico Press. 
cynthiaorozco.com

Interview with Tiffany Jasmin González of Texas A&M University, April 2020: https://newbooksnetwork.com/cynthia-e-orozco-agent-of-change-adela-sloss-vento-mexican-american-civil-rights-activist-and-texas-feminist-u-texas-press-2020/

Interview with Latinx Talk, February 2020: https://latinxtalk.org/2020/02/18/22651/

Talk on Mexican American Women and Civil Rights in Texas for the Mexican American Civil Rights Institute, January 2021:

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Kris Neri’s latest novel, Hopscotch Life, a quirky, offbeat crime novel-women’s fiction crossover, recently won the second of Kris’s New Mexico-Arizona Book Award wins. She also writes the Tracy Eaton mysteries and the Samantha Brennan and Annabelle Haggerty magical mysteries, three of which were honored with Lefty Award nominations for humor, along with being finalists for a number of other awards. A former bookseller, Kris also teaches writing online for the Writers’ Program of the UCLA Extension School and other organizations. She makes her home in Silver City, NM.
krisneri.com

Interview about writer rebranding on the Leap into Your Story podcast: https://www.leapintoyourstory.com/kris-neri-writer-rebranding/

Interview with Greg Lilly, Cherokee McGhee publishing: https://indd.adobe.com/view/611d2509-7a83-4811-b1f0-2cab0af0039d?mv=affiliate&mv2=red

Southwest Word Fiesta’s August 2020 interview with Kris: BOOKCHAT with Kris Neri

Interview on W. Wang’s World blog, May 2020: https://wworldcommentary.wordpress.com/2020/05/20/writing-advice-interview-with-kris-neri/amp/

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An intercultural psychotherapist, anthropologist and ethnographer living in the UK, she lost her heart to the land of enchantment while doing PhD research on culture, mental health and post-colonial relations around the Navajo Nation, where the vast landscapes, hospitality and humor remind her of the country of her birth, Iran. Multicultural and multilingual, Katayoun is now happy to call nowhere and everywhere home. Katayoun’s award-winning Milagro Mysteries travel the contemporary Southwest, reflecting its splendor, challenges and paradoxes through the eyes of small-town cop Franz Kafka. 
www.katayounmedhat.com

Interview with Mark Stevens, 2020: https://markhstevens.wordpress.com/2020/06/07/q-a-82-katayoun-medhat-lacandon-dreams/

Interview with Southwest Writers, 2020: https://www.southwestwriters.com/an-interview-with-author-katayoun-medhat/

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A lifelong outdoorsman, Loeffler has hiked extensively, camping throughout the American West and Mexico, and has rafted many rivers. He has supported himself as a self-styled aural historian visiting and often living in native villages and academic and scientific communities conducting interviews and recording music and lore as well as diverse habitats. Using his recordings, he has produced about 400 documentary radio programs for Public Radio, and many sound collages for museums. He has written several books and scores of essays. He has donated his aural history archive to the New Mexico History Museum in Santa Fe.

Interview with the Rewilding Earth podcast: https://rewilding.org/episode-63-jack-loeffler-on-rewilding-human-consciousness-and-tales-from-an-extraordinary-life/

Interview with KUNM, University of New Mexico NPR affiliate, 2019: https://www.kunm.org/post/jack-loeffler-looks-back

Interview with KSFR, Santa Fe NPR affiliate, 2019: https://www.ksfr.org/post/interview-new-mexico-treasure-historian-author-producer-honorary-doctor-jack-loeffler#stream/0

Interview with unknownterritories.org: https://www.unknownterritories.org/UnknownTerritories/Interviews/JackLoeffler.html

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Poet, painter, photographer, and founding editor of Red Mountain Press, she is the author of six books and has appeared in numerous anthologies. As the principal at Red Mountain, she has edited and designed over eighty books. Her art has been exhibited internationally in museums and galleries. She delivered the Cam Memorial Lecture at the New York Public Library, where she was honored to be granted a year in the Allen Room. She has presented extensive lectures and readings including at the Freer Gallery of the Smithsonian Institution, the Library of Congress, and the Folger Library. She has been invited to residencies at the American Academy in Rome, 2018, 2019, Tyrone Guthrie Centre, Armaghkerrig, Ireland 2022 and many others in interesting places.
susangardner.org
redmountainpress.us

Interview with the Dragon Poet Review, starting page 15, 2017: https://dragonpoetreview.files.wordpress.com/2017/07/summer-fall-2017-dragon-poet-review-pdf.pdf

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